Showing posts with label Cuban. Show all posts
Showing posts with label Cuban. Show all posts

Saturday, May 11, 2019

remembering my dad, Ignacio Manuel Ruiz Diaz



It's hard to believe, but this week marked the 5th anniversary of my Papi's death.

As I have processed and mourned my Dad, Ignacio Manuel Ruiz Diaz, I've written and posted few blogs about him.  But in all honesty, nothing has been as insightful, accurate, and beautiful as what my children wrote about him, a eulogy they read at the church the night of his wake. 

Here's how my daughter Anamaría described it in her blog five years ago (without any edits).

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My grandfather, whom we called Abba, passed away last Friday afternoon.  
His funeral was this morning, followed by a lunch reception prepared by his fellow St. Joesph's parishioners.  They decorated the parish hall with lights and table clothes; they used real silverware.  They provided food for all who attended the funeral.  A friend of mine thanked them, and one of the women responded, "Of course.  The grandfather of the universe was buried today." 
That sums him up better than his obituary (which I wrote).

Rehearsal Dinner at My Wedding

My siblings and I co-wrote his eulogy, which my brother bravely delivered at the wake on Tuesday evening.  Here it is, edited to reflect me as the first person:


We called Ignacio Abba, which I think came about because my brother – his first grandchild – couldn’t say Abuelo.  Abba was quiet, not because he was shy or nervous, but because he really valued silence. On one of his recent wedding anniversaries, both he and our grandmother, Nana, were asked to give their advice.  His advice: silence.  El silencio.  This silence was evidently something he practiced in his life, and lived with contentment.

The result was that when you were with him, you learned to value that silence too.  Even as a child, when you were with Abba, you could see that stillness allowed him to be present to the moment, to God, to the people he was with.  And it made you still, too.

And so much of what we remember about Abba is small moments.  He and Nana took one of us to Puerto Rico for a month or so every summer for several years, while Nana taught summer classes there.  While she was teaching, we got to spend time alone with Abba.  Much of this time was spent watching Abba serve; he’d buy us a comic book or book and a coke and then take us to the laundromat, and we would sit, read, and wait for our clothes to dry.  He never said anything about his serving; it was just understood, between us and him, that it was something he did that he joyed to share in with us.
It was also in these small moments when his humor came out.  His eyes always sparkled when he heard a joke, or saw the humor and joy in some part of life. As a child, when we visited Puerto Rico, he taught us to pop the petals of a Caribbean flower.  He would enjoy the loud “pop” sound as much as we would.

He also loved to pick mangos as we walked, and showed us how to pick the ones ready to eat that day.  He loved to walk and to teach us about the island through everything we saw: the lizards, the flowers, the coquis calling at night, the empanadas sold at the beach.  Because he valued silence, he noticed and cherished all these things.  And as a result, we did too.

He did not lose this as he got older.  His great grandkids – the oldest of whom is 3 – loved being silent with Abba as much as we did.

He was also the best whistler any of us have ever heard.  I think it started out as a way to avoid singing – which he wasn’t great at.  But we loved it.  When he whistled a song, it was better than some of the best singers singing.

And Abba was brave.  He and Nana once had the fiercest beast anyone has ever known: a cocker spaniel.  And we were terrified of that dog.  But he always saved us from it, even when it meant carrying multiple grandchildren from the threshold of the door to the safety of the monkey bars (which the dog wasn’t very good at).

Monkey Bars

I’m going to close by talking about Abba’s eyes, because most of what we cherish about Abba can be glimpsed through his eyes.  His green, Castilian eyes.  

His eyes often contained silence, the stillness that he held within his soul.  The contentment with the gift of his life and his family. 

I can think of no better way to finish by quoting something my husband, Travis wrote about Abba’s eyes after he had met Abba twice, wrote: “Still, hushed, and sidereal, like an oculus in the dome of a cathedral at night, they bear no attribute of color or depth.” 

His eyes radiated the love he had for his family, often overflowing with happiness at our mere presence- and especially the birth of every one of his great grandchildren.  With the announcement of my pregnancy last May, his eyes grew wet, brimming over to his cheeks, as they did with the birth of a greatgrandaughter.  But it doesn’t seem accurate to say that he cried: water, like happiness, just appeared in abundance.

Abba, thank you for teaching us to love silence and, in doing so, to love the world.  We love you.



Winners of the Anniversary Dance at Our Wedding

Winners and Losers of the Anniversary Dance

Washing Caramelo, the cocker spaniel



Silent contentment


Wednesday, December 18, 2013

how my grandfather Alipio prepared for Christmas


[This one is a reprint of a story published a few years ago… and re-published online by Our Sunday Visitor this month. I hope you enjoy it:]


Every year of his adult life until his death at the age of 95, my Cuban grandfather Alipio Páez set up a Nativity scene or nacimiento that could easily compete with the elaborate window displays put on by Macy's.

Not satisfied with presenting just the figurines of Mary, Joseph, Jesus, and the cast of usual characters, Alipio would turn the living room of his small house into the whole town of Bethlehem.

This was not just the Bethlehem described in the Gospels, but a Caribbean-style Bethlehem — with abundant palm trees, rivers, houses on the hills, tall blooming trees, all set up on papier-mâché mountains painted in shades of green and brown. My meticulous grandfather even had plastic pigs and cows to keep the miniature sheep and their shepherds company.

No matter what new addition he came up with, Alipio's Bethlehem always centered on the glorious crèche, the physical place where the deepest and most complicated elements of Christian theology became flesh.

My earliest Christmas memories all center on that humble stable, where the mystery and wonder of the word "Incarnation" came to life for me. The virgin birth. The Son of God conceived in Mary's womb. A baby in Mary's arms, both true God and true man. Even as a child, I understood the unspoken truth that the colorful Christmas tree was meant to take a back seat to the stunning Bethlehem scene.

By bringing his own world of pigs and palm trees to Bethlehem Alipio was not saying that the biblical details of the Christmas story were unimportant to him. It was entirely the opposite. By bringing to life the surroundings of the story beyond the historical pesebre, the humble crèche, my grandfather emphasized the central truth — the actual point — of the story!

God so loved the world that He came to be one with each of us, right where we are.

Like Alipio's beautiful nacimiento, Christmas traditions for Hispanics are often a gentle incarnation of the sacred within the ordinary. Through traditions that inspire all the senses -- with songs and sights and delicious smells -- Hispanics bring to life and celebrate the familiar birth story of Jesusito, reminding us what's most important about the Christmas season.

[Click here to read the rest of the story, published originally as "Celebrating Christmas with Hispanic Eyes" in The Priest Magazine.]

Advent is almost over… take time to ponder what the Bethlehem event means for you today!

my Michelle, awed by her great-grandfather's "Bethlehem"!



Sunday, October 21, 2012

Nuns, parte una

I recently worked on a book project that invited me to reflect about my personal experiences with nuns and sisters. The book (with my contribution!) will be published in 2013... and, of course, I will be delighted to keep you posted about the details.


I arrived in Puerto Rico as a 3-year-old Cuban refugee. I have no memories of my first years in Cuba. But the only thing as important to my parents as passing on the Catholic faith was making sure that my brother Ignacio and I grew up knowing what it meant to  BE Cuban, so my life was filled with Cuban history classes, learning Cuban traditional dancing, and naturally, regular get-togethers with other Cuban refugees displaced and resettled in Puerto Rico.

Many of my early memories involve visiting the convents and monasteries all over the island where my mother’s friends had been relocated. These hermanitas had not only taught alongside my mom, they had known María de Jesús her entire life—and loved to entertain me with funny and unknown stories about my mom while I feasted on their candy.



My daily life as a small child in the 60s and an emerging teenager in the 70s was immersed and surrounded by all things Catholic in this utterly Hispanic culture. People, places, and things all bore the names of popular local saints or la Virgencita. San Germán. San Juan. Santa Isabel. Escuela Las Marías. Urbanización San Patricio. Repostería San Miguel. Music, traditions, art, was seasoned by religion and religious figures.

Heavily influenced by Spain, we had days off school for holy days I never understood and for saints I never heard of. At sunset on the eve of the feast of San Juan, the city of its name sake shuts down—and everyone heads down to a beach for the ritual of falling backwards in the ocean twelve times, a tradition that is said to cleanse the body from sin and to give good luck for the following year.



I attended my first live concert in the San Juan studio of Telemundo with my cousin Gloria, where we joined the flock of swooning girls to listen and watch heartthrob Raphael–a Spaniard version of icon Tom Jones, twist and shake to the tune, “Tu Cuerpo, mi Refugio y mi Rincón,“ your body, my refuge and my home—followed by his hit ballad, “Le Llaman Jesús,” they call him Jesus. From my live-in grandmother Josefita, I learned by observing that Jones was indecente, but Raphael got a free pass because of his songs articulating the Catholic faith.

PRICELESS:

Tom Jones & Raphael sing a bi-lingual version of Ghostriders In The Sky (1970)




[Continued tomorrow: Nuns parte dos]